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| Here we go again100x100cm, Acrylic on canvas £1,000/1 200€/$1,500 |
David Abse: Paintings and stuff. Regular updates regarding new work, exhibitions and other art-related stuff of interest.
Friday, 18 October 2013
Here we go again
Wednesday, 16 October 2013
Portrait of a Gazelle, by Bigasso.
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| Marley 40x40cm Oil on Canvas |
By the way, if you don't get the reference in the blog title, you need to watch more episodes of "Thunderbirds".
Saturday, 12 October 2013
Cats and Gods
We live in Place de l'Eglise. For those of you with no French that's "Church Place". Our house is in a corner, next door to the boulangerie - which provides a far more useful social function than the church. It really does give us our daily bread. And croissants. The church is a simple old building, built probably originally about 600 years ago, but rebuilt several times since (with sympathy). One of its endearing features is its wonkiness - the front door doesn't line up with the middle of the roof, which doesn't line up quite right with the window etc. It's not a very busy church: there's the occasional wedding which clogs up the square, but probably it's used most by cats. Two of our cats - Milo and Earnie, joined by one of our neighbour's cats, Gus, enjoy running around inside, and a couple of times now have been locked in at night. Amusingly, the key is held by the atheist baker next door. Anyway, this explains my new painting below.
Meanwhile, here's a recent Purple Cat I did for Tatiana and David, the bakers next door.
If you haven't taken a look at the Purple Cat website for a while, you should. There's always new things on there. Shortly the whole thing will also be available on purple-cat.co as well as http://www.purplecat.co.nf, and there will be a wide range of Purple Cat greetings cards available too.
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| Cats and Gods Oil on canvas, 40x40cm £400/480€/$600 |
Meanwhile, here's a recent Purple Cat I did for Tatiana and David, the bakers next door.
Sunday, 6 October 2013
Art Scams
This is actually something I wrote last year for a publication, but today I received an email which made me think I ought to stick this on line. Before the article let me tell you about today's email. The email that I received today was weird. It was from one of the New York scammers mentioned below.(Abraham Lubelski - 'The NY Arts Magazine' also 'Broadway Gallery' also '"Arts Fairs International also 'World Art Media' and some others) I'd received the standard bullshit email saying how wonderful my work was and wouldn't I like to have my work in a gallery, in a magazine and representation ( for a fee), and I gave it one of my standard replies "Sorry. Abraham Lubelski's reputation goes before him. No thanks." Considering my less polite replies in the past, I thought this pretty harmless, but I received a personal reply. In it Abraham Lubelski insults my work "not too original and mostly self conscious and stylized" and insults the size of my wallet (!!). Apparently if I was a real artist I'd have more money and be happy to hand it over to him!
Anyway, there's loads on the internet about Abraham Lubelski's activities - search google for "abraham lubelski scam" and take a look at "Wet Canvas". Or just take a look at these links - which are just a small selection from the many that exist:
http://christopherduncan.co.uk/artists-beware-of-this-scam/
http://katevrijmoet.com/main-menu-pages/blog/snake-oil-salesmen-and-pay-to-show-no-go/
http://cerebralmindscape.blogspot.fr/2011/11/beware-scammers.html
http://caseyshannonstudio.blogspot.fr/2009/08/world-art-media-and-ny-arts-magazine.html
http://makingyourartwork.blogspot.com.au/2011/05/ny-arts-magazine-broadway-gallery-nyc.html
Anyway, here's the article
Art Scams
One of the
down sides of being an artist and having an online presence is that you will
inevitably at some point become the target of “art scammers” of one sort or
another. Scammers feed on artists’ egos,
targeting our dreams that we hope we have been recognised by some foreign
wealthy collector. Unsurprisingly, many of these emails seem to originate from
an African country, but just as many – the more subtle ones – originate in the
USA. Today, for example I have received the standard quota of three art scam
emails. One of them has come via a well-known website that sells art online,
from a person calling himself “Michael Pee” who wants to buy one of my works.
It sounded like a scam email, but
just to be sure I Googled the name – and sure enough, the name came up as one
used on a regular basis by an art scammer.
This scam,
one of the most common forms of scamming is carried out in the following way
(as described by Kathleen McMahon on her excellent website):
“The scammer does everything they
can to trick you into believing they want to buy items from you, a third party
shipper is always involved, they often work or are moving to a foreign country,
they send a check (often overnight to try and legitimize their scam) or even offer
to pay via credit card (which will end up in a chargeback when the real person
finds out their number has been stolen) and then pay MORE than the amount due
and ask you to send the overpayment back to them, usually via Western Union
which is then untraceable once its picked up. Very profitable activity if even
only a few people fall victim.”
Another sort
of scam comes from more respectable sounding people or organisations in the
USA. These scams work in a different way, whilst at the same time appealing to
artists’ weakness – their ego. In exchange for cash you are offered one or more
of the following: artist “representation”, exhibition(s), publication in a
“renowned” art book, publication on line, exhibiting opportunities throughout
the world, access to collectors etc.
There appear
to be three main organisations carrying out these scams, one on the US west coast
and two in New York. For around 1500€ (last time I checked) you’ll get
“represented” by having your work appear on a website/in a book/in a gallery -
or something. The west coast con-artist emails me on a regular basis asking me
for hundreds of dollars to appear in one of their “internationally renowned”
publications, and similarly I get regular emails from one of the New York
scammers asking if I want to appear in their
publication, or buy a year’s “expert” representation. A bit of research has led
to a discovery that the scamming organisations actually take on unpaid interns
and people working solely on commission to send out their nasty scamming emails
for them – which explains why I keep getting emails from different people
working for the same organisation.
But there is
a third category of scam, which is much easier to fall for: the simple demand
for money to exhibit your work – whether it be in a gallery or on-line. A scam?
Well, put simply – remember that anyone who takes your money up front to show your
work doesn’t care whether you sell anything or not, and have made no investment
in your future or your work. There are plenty of websites that will show your
work for nothing (although they will probably want commission if they sell
anything), and if a gallery doesn’t want to show your work unless you pay them,
I can only advise you to keep trying to find one that will. Good luck!
Meanwhile
here’s some useful and interesting web links on the subjects covered:
Friday, 23 August 2013
Parents
If you saw this before, you might notice a change: I've been working on my mother's portrait, and am pleased with the changes I've made - though I still think I've caught my dad better. My wife says the problem is the photo of my mum - that although it's a great photo (it is) it's of her posing and not in a natural position. For me the biggest problem was the fact the photo is black and white. Anyway, I've re-posted the new picture today, 11th September, which would have been her 87th birthday. And only 11 days until my dad's birthday, when he'll be 90. To find out more about them click on the links I've put to on their names.
Wednesday, 21 August 2013
Oil painting
I have decided to stop (for the moment at least) painting abstracts. I have not been getting the satisfaction from it that I should be. So I have picked up my oils and decided to revisit a type of painting I haven't done for years. I have had to re-learn as I go along long-forgotten processes - glazing, thick on thin etc. I started off just slapping paint on canvas, forgetting how to cope with the drying times, and as everything came back to me I have had to rescue what I started. I have been working, to start with, on portraits. The process is incredibly slow compared to painting with acrylics, and in over a week I have just about finished one painting - with two others on the go. I am really enjoying using oils - I had forgotten how much fun manouvreing the paint around is, and how layering glazes mixes colours so satisfyingly on the canvas. So anyway, here's my first effort: It's a painting of my dad, Dannie Abse using a recent photo as a reference.
It's "8P" - 46x33cm - and it may change a bit yet. Any feedback welcome.
It's "8P" - 46x33cm - and it may change a bit yet. Any feedback welcome.
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| Dannie Abse 66x33cm, oil on canvas |
Monday, 5 August 2013
Summer dreams
I'm no big fan of Grease. That "Summer Lovin'" song drove me nuts it was at number one for so many weeks in 1978. I have a vivid memory of Bob Geldof ripping up a photo of Travolta and Newton-John on Top of the Pops when the Boomtown Rats finally claimed the number one spot with "Rat Trap". Those were the days. Now I'm painting in the heat with my shirt off, covering myself oils and acrylics to come up with this big (P100 in french style = 165x114 cm = 45x65 inches) abstract:
It took several days, and several layers of paints of all different kinds to come up with this. The depth is kind of missing in the photo unless you blow it up and look closely. Feel free!
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| Summer Dreams mixed media on canvas 165x114cm |
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